Gloria Swanson in Yentl Territory?

Photographed by Edward Steichen 1924

Gloria Swanson, born on this date in 1899, would've been 17 years old in The Danger Girl, the frenetic twenty minute comedy supervised by Mack Sennett (and embedded below). With six (count 'em, six!) lead characters, Swanson stands out as the madcap who dresses as a man to lure her girl friend's boyfriend away from the other woman who is vamping him. It's all extremely complicated for twenty minutes but Swanson gets a chaste kiss on the cheek from the vamp (while she's dressed as a man) and moves further into Yentl territory when, dressed in a tuxedo with top hat, she comes out as a woman to the man she loves (her girl friend's boyfriend, no less) and gets a kiss from him too - all in 1916!

The Danger Girl 1916

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Hello, Dolly! (1969)

Yes, she's too young, too pretty and too Jewish for the role Carol Channing performed but Barbra Streisand made the titular matchmaker her own using a timeless, pseudo-Mae West characterization and her trademark humor in this film version of Jerry Herman's Broadway hit Hello, Dolly! Yes, the production is overblown and the film is long (like these three lines) but the story moves along at a horse's clip, Walter Matthau shines (working up some chemistry with Streisand despite their reported dislike for each other), and the classic songs (including Just Leave Everything To Me, Before The Parade Passes By, Put On Your Sunday Clothes, and Hello Dolly - sung by Streisand with Louis Armstrong) are so catchy you'll be humming along even if you've never heard them before. So no, it's not a bad movie (although you might want to stay away if you're not a Streisand fan) and, contrary to popular belief, it brought in more money than the $26,000,000 it cost 20th Century Fox to make it.

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The Belle of 14th Street (1967)

The most fascinating thing about The Belle of 14th Street is that Barbra Streisand had the power and the moxie to get it made and put it on television; but like anything that attempts to entertain in modules not all are equal. Streisand shines throughout though and is ably supported by Jason Robards, Lee Allen and...um...herself. Young Barbra (when she had a sense of humor) is the best Barbra and this special is special.




I see a few instances of NINA, do you?

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