Don't Bother To Knock (1952)

The closest Marilyn Monroe ever came to appearing in film noir is the first movie in which her name appears above the title, the 1952 black and white thriller Don't Bother To Knock with noir favorite Richard Widmark and singer Anne Bancroft. Although not the brightest script, Monroe proves her acting chops as the baby sitter in hotel room 809; she is poignant, detached and bat-shit crazy. I've read that this movie is closest to the real Monroe (not the blonde bimbo) but there is no playacting here; Monroe is mesmerizing.

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...The Swarm (1978)

OMG, it's took me nine months to get through Irwin Allen's all star bee fest The Swarm. The movie veers from interesting to camp as illustrated by a genuinely touching scene in which Slim Pickens' (in his only appearance) and Henry Fonda give first rate performances coupled with the groan-worthy groan of Golden Girl Olivia De Havilland at the school window as she watches the children get stung to death. At almost three hours, The Swarm is just too dull for its length; even stars like Michael Caine, Katherine Ross, Richard Widmark, Patty Duke, and Lee Grant (and some good explosions if you disregard the denouement) made it barely watchable over the gestation period I gave it.

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